3d Animation Software

How to design your own 3D Animation easily 

Designing an own 3d Animation is good to develop personal skills. Now these days people are very much interested to develop their own skills on 3D Animation designing. Now We will see how to design a 3D Animation for personal interest.

Easy 3D Objects is intended for creation of 3D animations and illustrations. Areas where you can apply Easy 3D Objects: -making 3D GIF- animations for the Web; -making 3D banners; -making 3D illustrations; -presentation materials; --development of creative imagination. ... Program features: -adds to 3D scene the following types of objects: dummy cube, sprite, plane, disk, cube, frustum, sphere, cone, cylinder, annulus, torus, arrow line, space text, mirror; -edits parameters of objects; -rotates and moves objects and groups of objects; -fills objects by color or texture from BMP, JPEG.

SWiSHmax has everything you need to create stunning fully interactive Flash animations. You can create shapes, text, buttons, sprites, and motion paths. You can also include more than 230 ready-to-use animated effects including explode, vortex, 3D spin, and wave. ... You can preview your animation inside SWiSHmax without launching a browser or external player, and live editing lets you make changes while the animation is playing. ... You can create your own effects or make an interactive movie by adding actions to objects.

Feature wise, Realsoft 3D is a full featured modelling, rendering, animation and simulation package. It introduces global illumination, multi-wavelength ray-traycing for accurate spectral caustics and other optical effects, sub-surface scattering for realistic human skin shading. ... On the animation front a full range of tools - from easy keyframing to event driven nonlinear animation- is supported. ... Realsoft 3D is a complete solution for high end 3D-production at an unprecedented price. ... Don´t rush to the plugin shop every time you need to create something new - get Realsoft 3D.

Effect3D is a powerful editing tool that lets you create professional looking 3D objects, add animation, and use a wide range of 3D effects. Effect3D's Power Wizard does the work for you, so whether you're a novice or a Webmaster you'll be producing stunning artwork in minutes. ... Effect3D can also create dynamic 3D models by RTS animation so models can move back-and-forth, float, or rotate. ... Over 500 models are cleverly categorized for easy browsing and with over 70 behavioral Bio-Morph animation's to choose from; Effect3D gives you the freedom to create uncompromising images limited.

3D GIF Designer produces animated high-quality 3D pictures, titles, banner ads and buttons for your Web page or for a presentation. You can create animations from your own pictures (JPG, GIF, BMP, AVI) and easily add 3D text and shapes. The sprites technology enables to control over ... For quickly getting started, design your own animation from over 30 professional templates (banners, buttons, logos), and then save as animated GIF or AVI movies, or as set of JPEG or BMP files. ... In addition, 3D GIF Designer allows you to animate sprites with several effects such as Swing, Rotate.

Stereogram Explorer is user-friendly design software for creating high-quality hidden 3D graphics, also known as Single Image Random Dot Stereograms (SIRDS) or Single Image Stereograms (SIS) known from the "Magic Eye" series. Stereogram Explorer uses advanced algorithms and can render... Main features: User-friendly interface Random dot stereograms (SIRDS) Pattern or textured stereograms (SIS) Support for many file types including GIFs, JPEGs, PICTs, and BMPs Import 3DS (3D Studio) models Export depthmaps from 3D scene Autocalculated depth coeficient for loaded 3D models.

Pro Motion is a bitmap editor and animation package, ideal for creating pixel precise animations, images or icons used in games or Flash applications especially for handheld systems like mobile phones,gameboy,PDA,Pocket PC and similar. It has a huge number of functions ranging from simple... copied to all equal tiles within the image) - tons of tools including color cycling, onion skinning, masking, symmetry paint, magic wand, tile painting for "infinite" textures-bitmaps and "standard" functions like line, curve, box, circle, fill (pattern, gradients) - lots of helpful animation.

 The Implications of 3D Computer Animation

3D computer animation is making a big impact in the animation industry. Realism is the key for the rising demand of 3D animation. It is a challenging technology for prospective artists and for professional animators alike to develop new editions and versions of the existing 3D animation programs.

The frames of the models and the shots are sometimes simple, but the motion or the movements of the characters is where the creativity and skills of the animator comes in. In 3D computer animation, visual styling is one of the categories that need to be considered.

It is not just how the objects being animated are going to look but it also focuses on how the images are going to be rendered, as well as the methods to be used for animation. It is about the complexity of the process.

The production of the object must be capable being done within the limits of the work. Blending the motion of the characters is possible to achieve with the use of many new sources, provided that the movements of the cartoon is realistic. Planning and putting guidelines before the actual production of the picture must be done.

Directing the movements of the character must be done by actual people who are experts in taking shots of any characters motion. Cinematography is also a vital element of animation since the animators have the power to control the position and the movement of the camera when doing a computer animated picture. 3d Computer Animation In the actual story, the sequence of the drawn images and the applied lighting has a big impact.

These aspects of the process are done during the planning stage and the formation of the three dimensional characters. Facial animation is now more prioritized than in the past when it comes to 3D computer animation. Even the slow blinking of the eyes and the movements of the eyeballs are now given detailed attention.

Facial manipulation level and the methods on how it will be done will give each character a good effect and style. If you are planning to enroll in animation schools and you are interested to become an animator, try to do some early work on 3D animation programs to practice your skills. Whichever field you are leaning to, and whatever direction you would like to go in the field of animation, it is still better to have an idea on how have the basic skills in 3D computer animation.

3D computer animation is considered one of the most popular types of animation today. It includes making films, video games, and animated characters. Entering an animation school is the best way to improve your potentials and to learn everything about three dimensional computer animations.

It will surely help you in deciding what career in the field of animation to take.

 What Is 3D Computer Animation

Computer 3D animation refers to the work of creating moving pictures in a digital environment that is three-dimensional due to careful sequencing of consecutive images, that are technically referred to also as "frames" so as to ensure that it is possible to simulate motion. This simulation of motion is done when each image continues in a very gradual manner to show the next image, step by step.

What happens in animation is that motion is simulated in a way that the eyes tend to believe that actual motion has taken place while the fact is the perceived sense of motion is only because of the consecutive images that are passed through very fast.

You already may know that computer animation comprises 2D animation and computer 3d animation.

The traditional aspect of computer animation as an art form is well established in the application of 2D animation or two-dimensional animation is the more traditional face of the art form. In 2D animation, whatever drawings are done or created on paper are utilized and so are celluloid transparencies. In this form, it is also termed as cell animation and hand-drawn animation.

Let's get back to our main area of interest namely 3D animation which emerged as a new kind of art form that depends more on computers to bring forth characters or objects using a construct environment that is three dimensional in nature. So instead of any kind of hand drawings, the characters are all created within the computer not anywherelse because the character is subject to further modifications or manipulations in the online environment using highly advanced computer tools.

So if your ambition is to create your own remarkably unique 3D characters and animations, you should then procure a very good quality 3D animation software and we assume that you already have a good computer. Be aware of the fact that most studios currently make use of proprietary computer 3d animation software but for a beginner like yourself, you can check out a whole variety of software options in computer 3d animation.

Keep in mind that a lot of these off-the-shelf computer animation packages are helpful but they differ in the levels of complexity and features that come along with them. So it would be advisable to learn computer 3d animation as well as the basic principles of 2D before you actually go out and get yourself any package.

Animation packages are plenty but some brands like Maya remain immortal because of its high-end 3D computer graphics as well as its highly powerful 3D modeling software package. This is so popular with the film as well as the entertainment industry so it's a good choice. Take note that Maya has two versions, namely Maya Complete as well as Maya Unlimited. The former is less powerful and the latter is considered highly powerful and expensive. So it would be best to choose only according to your requirements as an animator.

So You Want To Be An Animation Artist? 

Today, it is possible for animation artists to pickup the skills of their trade without going to a special school to study animation. There’re numerous great books that teach animation techniques such as Richard William’s The Animator’s Survival Kit.

By following the instructions in these books, you can conceivably teach yourself the nuts and bolts of animated filmmaking. Taking the home instruction idea even one step further, some books are now equipped with CDs and DVDs. The best talents in animation know that there is always more to learn. In a gealthy career, we don’t reach a point when we throw our books or our tools away.

We need them too much. Our journeys are over when we stop, not when we think we’ve learned all there is to know. So, if books play such an important part in our learning and development, why the need to enroll in an animation school? Why should one put in the time and expense required to get a degree in animation from one of the fine schools?

It would be hard to imagine a filed where a college degree means less than it does in the animation industry. When it comes to finding a job, talent, enthusiasm and relationshop all take precedence over where you got your degree. Why Go To School? Yet, before all the school recruiters faint in shock, I’d like to make the case for going to school.

While it’s true that there are many great books teaching the art of animation, a book cannot crtitque your work. It is the trained eye that can help advance your skill by leaps and bounds. With the structure provided by teachers, assignments and grades, the availability of equipment, and the inspiration supplied by peers, one has the best shot at learning the animation arts.

Learning the animation arts is a discipline. It’s not always fun. In school (or on the job), we’re not always drawing what we’re comfortable drawing. We are pushed to go beyond what we could or would be doing if left to our own devices. Perhaps, most importantly, animation schools employ teachers that are working in their field. While this does not automatically make them great teachers, it does help students have the opportunity to make those first vital connections they’ll need if they’re to break into the industry.

 Starting Your Own Animation Studios – The 3 Camps

There seems to be three major camps of animation artists. One camp’s long-term goal is to create, sell and produce their own television series or feature film. Another camp’s long-term goal is to create their own studio business.

The third camp consists of people who are happy simply excelling as workers for hire.

No matter what camp you fit into, most animation artists that have worked as off-site freelancers get a a taste of freedom that is similar to what it must feel like to be your own boss.

You get to setup with your workday your own way.

You can take a double lunch or catch a movie in the middle of the day and have the option to resume work again at night. Animation artists, by the nature of our careers, sometimes work alone for hours or days at a time to complete a job.

It’s not surprising that many of us dream of opening our own studio where we could live and work in the ultimate example of independence.

Paul Fierlinger sums up the allure of owning your own studios: “ I don’t have to spend any time working with people I don’t like; the commute to work is easy; it’s easy to work anywhere from an hour to sixteen hours a day; the pay is anything buy regular; industry news and trends pass me by and I live in fear of where the next job is coming from instead of having to live in fear or when I’ll get sacked.”

Some create their own studio business more our of necessity than from passion. Large studios tend to hire a lot of artists fresh out of school. They seek out this inexperienced youthful labor because they can pay less and expect more time and loyalty in return.

Some companies believe that it’s easier to train young workers who are free of the bad habits that years of experience can sometimes bring. Older workers will likely have family commitments, which pull them away from working late nights or taking on extra work for the weekend.

Those who are forty years old and older either gravitate toward studio supervisor jobs or risk competing against an ever-growing crop of recent graduates for some of the same jobs.

To stay competitive, the older people in the workforce must often lower their hourly rates, despite the wealth of experience they inherently bring to each project. It’s easy to see why some older animation artists feel that going into business for themselves would be the best way to continue a career in the industry.

 How To Land A Job As An Animator

In a typical animation career you wear many hats. You may have a specific expertise, but chances are that just as often, you’ll juggle many skills and titles from job to job. Animation artists find most of their work via word of mouth. No offense to agents, reps, and recruiters, but to succeed in finding work in the business of animation is to develop and maintain relationships. We are, as Barbra Srteisand sang it, “people who need people.”

The Simple Truth:

The key to finding work in animation is to accept that this is a people-driven industry. People who know people who recommend people who hire people. Those who take a negative view of the importance of relationships to the job hunt boil it down to, “its all based on who you know”. This makes “who you know” sound like some random act of luck. In reality, you are responsible for “who you know”, for the relationships you create and sustain. Relationships require energy and effort.

The business of animation in North America is small enough that even within a few short years, you could know someone connected to every studio on the continent. We’re all six degrees from our animation Kevin Bacons. Simple enough, right? But these truths are not self-evident and if they are, we certainly don’t behave all the time as if we hold this to be true. This simple truth will show up over and over again in this book.

While there’s no guaranteed way to find work in the animation industry, there are a lot of things we can do to create the best possible odds for success. Happily, finding work in the animation industry is something that gets easier over time, as you expand your network of contacts and your reputation open doors for you.

Sustaining Relationships Can Lead To Work:

In the animation industry, sometimes, the most effective job-hunting happens in the most indirect way. Often, even when we make a good connection at a studio, the timing is not right for an immediate job. So, what can we do to “hang around” until something opens up without risking a restraining order? My favourite solution si to stay in touch with people via the ocassional email.

Recently, I was in a producer’s office when he received n email from a mutual friend of ours. “I guess he’s out of work again,” said the producer. I asked how he knew that without reading the e-mail. The producer replied, “This guy only e-mails me when he needs work.”

People are not keeping in touch with their contacts enough while they are working. We need to nurture our contacts. Periodically send out updates to your contacts. Let them know where you’re working and why it’s a great experience. Either way, your contacts will be tickled that you thought of them. Over the years, I have received a few job offers as a result of mailing out some congratulatory message. While I wouldn’t say sending out email messages and updates should be anyone’s main focus for job-hunting, they are a part of what builds up a career over time.